AN ART
PROJECT,
MADE PUBLIC.
Why this tool exists.
I built Patchframe out of a need I felt for years while performing live. I played solo and with bands, from DIY underground spaces to some of the biggest Czech music festivals, and I kept searching for ways to make visuals feel truly part of the music.
What mattered to me was not only spectacle. Visuals could shape the story, transform the room, make a small act feel bigger, and even help shy musicians perform by giving them a world to play inside. I come from a synth and electronic music background, so modular thinking felt natural. That is why Patchframe is built the way it is: patchable, playable, and oriented toward the stage.
Patchframe is my art project, but it is also public. I made the tool I wish I had back then, and I want other artists to be able to use it in their own shows.
Beliefs.
Visuals are part of the performance.
Not an accessory. They tell the story, widen the emotional frame, and change how a room is felt. They make a tiny club feel like a world.
Musician first.
The language here is performance, modulation, timing, control, scenes, rehearsal, and stage confidence – not "content", not "assets".
Modular by nature.
The architecture is inspired by synths because that is how we already understand musical expression. Signal in. Modulation across. Signal out.
Studio to stage.
The promise is not only creation. It is preparation, recall, control, and use under real live pressure.
Prague, Czechia.
Developed by a musician and audiovisual artist. A limited demo is available now; the full app is planned for release in early 2027.